Source Audio SA247 True Spring Reverb Compact Effects Pedal (Reverb)

---------------------------------------------------------------------- 【Voltage Compatibility】 When using electrical appliances, please note that they are designed for Japanese voltage specifications (90-110V), so if you use them with a different voltage, it may cause a malfunction.

【Plug Type】 Our products use Japanese plug types (A or B type). Please use a conversion adapter if necessary.

【Important Note on Transformers and Adapters】 A transformer adjusts voltage to match your device’s requirements. A conversion adapter only changes the plug shape and does not adjust voltage. Using only a conversion adapter without a transformer may result in damage to the product.

【Liability】 We are not responsible for malfunctions or damages caused by improper use, such as operating the product without a transformer. ---------------------------------------------------------------------- - Three types of spring reverb and tremolo. Six presets can be saved to the unit: three in standard mode and three in preset mode. These can be recalled using the 3-position effect select switch. - Various routing options available, such as stereo to stereo, mono to mono, and mono to stereo. - Buffered bypass and true bypass options available. - Control the tremolo by pressing CONTROLINPUT while operating the toggle switch (DWELL knob/DEPTH, TONE knob/RATE, toggle switch/tremolo type selection). Reverb and tremolo, essential elements of surf music, have been featured in amplifiers since the 1960s. Developed by the Hammond Organ Company, this technology used independent transformers for the input and output, sending the instrument's signal through springs that vibrated in a complex manner to produce a remarkably clear reverberation. Leo Fender adopted this technology in his "Blackface" amplifiers, creating a sensation. The True Spring Reverb's spring reverb effect is based on this Hammond Organ Company design, reproducing the unique "drip sound" of the spring reverb found in Blackface-era Fender amplifiers. Furthermore, it combines three types of tremolo used in vintage amplifiers: optical tremolo found in combo amplifiers of the same period, harmonic tremolo used in the Brownface era, and bias tremolo used in low-power amplifiers with a simpler circuit. This combination recreates the classic "Blackface" sound essential to early surf music and spaghetti western sounds. It was completed as an effect pedal that can be described as "the very definition of it."